“Mine are pretty used to me by now,” I said, ensuring my
boots had their firmest possible hold on the muddy wall opposite, “Though I like
to keep them posted so they’ll know how to pray.”
A glance at the void where the floor dropped off beside me,
sloping down as an angled crevice which ended in darkness some fifteen feet
below, suggested I could use those prayers about now. Shoulders pushed against
the stone behind me, boots against the wall three feet away, I began easing my
way sideways over the void.
How in the world did I end up here, anyway?
Let me tell you the story.
It all started on a snowy logging road.

I had assumed the caves would be straightforward to find,
but a wrong turn, some backtracking, and a slippery descent into a forest
ravine proved me wrong. Yet at the base of that ravine, there it was: a gaping
atrium of stone, fringed with erosion-misplaced trees, funneled into the
hillside towards a vanishing point where only blackness awaited.
Seeing the comparatively dwarfish caver ahead slip into the
dramatic entryway of this, Wolf Creek Cave, I quickly followed. The sound of water
invited me deeper into the cavern where I paused, headlamp beam piercing
through the mist to reflect off the ceiling’s moist contours. Behind me a stark
porthole of snowy woods floated in the blackness, marking the entrance; beyond,
a small waterfall caught someone’s headlamp beam; above, cold water from
somewhere dripped down onto my coveralls’ shoulder. Before I could recover from
this wonder-striking surrealism, the team convened and started forward into a
narrow tunnel where the waterfall led. Up and down we crawled on hands and
knees, contorting ourselves through unpredictable tunnels akin to those in an
indoor playground—only muddier, with sharper edges and an earthier smell.
“Are you ready for a squeeze?” called the girl leading ahead
of me.
Uh oh.
I once liked the idea of squirming through small
passageways. But that was before getting stuck in a snow tunnel as a kid—a
feeling I’d never quite forgotten. However, I learned that if you want to go
onward, you have to play by the cave’s rules: if its ceiling drops, so do you. Then,
stomach hugging the wet gravel, you propel yourself forward on your elbows,
your field of vision limited to damp rock, your own wet gloves, and the boot
soles of the caver ahead.
It wasn’t as bad as I thought it might be, though we didn’t squeeze
tight enough to potentially become stuck. Still, I resorted to some
self-coaching.
“It’s actually quite peaceful here,” I said aloud,
half-believing myself.
“We can go back anytime,” I soon heard a voice from beyond the
boots ahead say, “it only gets narrower, and then you have to turn around.” So
we did.
The next cave, Mudslick, featured a slightly broader
tunnel—hands and knees crawling. We reached a flooded area before long—a sump,
it’s called—and had to leave to our final cave, Hourglass.
This was the really
fun one.

A couple of vertical drops along this descent, a solid 10
feet each, made me especially grateful to lean on the rope while navigating downwards,
feet and back against the esophagus walls. When we’d all arrived at the base we
pressed forward in a form of movement I’d never quite experienced before. To
see what it involved, first imagine a long, dark corridor the approximate
height and width of a coffin. Now, rotate the whole coffin 45 degrees to the
left. That’s what the cave was like. In a couple of places, the floor dropped
out and sloped down to somewhere we didn’t care to slide—that’s where we had to
put our backs and feet against opposite walls and scootch sideways. Eventually,
the floor disappeared altogether, making the corridor a huge, sloped slab—like
a giant slide with a two-foot-high ceiling. Bracing an arm or leg against this
ceiling to control our descent, we thus slid down to the floor, where we
followed the slab—water now streaming down it—to a spot where another, more
difficult slide began. Because of the water we didn’t go down, and turned to head
home.
“How do we get back up
this slide?” someone asked.
“On your back. Or side. Or front. With a leg or arm or two
against the ceiling. Or the other way around. Whatever gives you friction.”
Back to the cold stone—nope, side; side to the stone works
better—I pushed a knee against the ceiling and worked my way up, silently
laughing at my own efforts. Somehow, we all managed to reach the top, scuttle
back through the slanted coffin corridor, and maneuver up the esophagus alive and smiling—though as
cold, wet and muddy as ever in the snow-turned-rain. We couldn’t turn the
trucks around, but had to reverse back up the logging road to a parking area
and turn around, bound for clean clothes, warm food and hot showers. These
seemed especially welcoming as I finally plodded towards the last bus stop home
and noticed the looks I received, a suspicious looking hooded figure dressed in
wet clothes and gumboots, carrying a conspicuous plastic bag of wet caving overalls at
my back.
I just smiled.
I wonder what my mom
would say if she could see me now...
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